The man who killed Hitler then bigfoot movie is not one movie. It is two separate films with almost identical titles: The Man Who Killed Hitler and Then the Bigfoot (2018), a scripted drama starring Sam Elliott, and The Man Who Killed Hitler and Then Bigfoot (2023), a documentary about a man who claims he did both. Neither is a sci-fi thriller or a horror movie. The confusion comes from the titles, which are near-verbatim copies of each other.
Two Films, One Title
The 2018 film is a fiction feature written and directed by Robert D. Krzykowski. Sam Elliott plays Calvin Barr, an aging World War II veteran who, decades earlier, assassinated Adolf Hitler in a secret mission. Near the end of his life, the U.S. government asks him to hunt Bigfoot, which carries a deadly pathogen. The film is a quiet character drama about grief, duty, and the cost of a life spent killing. It premiered at the Fantasia International Film Festival in July 2018 and reached wider release in February 2019.
The 2023 film is a documentary from director David G. Baker. It profiles a man who claims he killed Hitler, then later killed Bigfoot. The documentary treats the claim as a subject of inquiry, not as established fact. The overlap in titles is the single biggest source of search confusion.
The plain-language version: the 2018 movie is an actor-driven drama; the 2023 movie is a documentary about a person making a claim.
How the Premise Actually Works
The 2018 film's mechanism is not action-adventure. The Hitler assassination happens in flashback, shown as a tense, small-scale operation rather than a battle. The film treats the killing as a moral wound, not a triumph. The Bigfoot mission is framed as another grim assignment.
The Bigfoot in the film is a vector. It carries a pathogen that threatens human populations, which is why the government wants it contained. That detail separates the movie from creature features that treat Bigfoot as a monster to be defeated. The adversary is the disease as much as the animal.
The dramaturgy is built on restraint. The film avoids spectacle and uses silence, aging, and regret. That choice is why professional reviews split sharply: critics who expected a genre romp found it slow, while critics who read it as a character study found it moving.
The Numbers Behind the Confusion
The 2018 film runs about 98 minutes. The 2023 documentary runs about 80 minutes. Both titles contain the words "The Man Who Killed Hitler," which floods search results. Neither title is a franchise entry, and the two films share no production company, cast, or story.
The 2018 film's cast includes Sam Elliott, Aidan Turner (as young Calvin), Caitlin FitzGerald, and Ron Livingston. It was produced on a modest independent budget and received a limited theatrical release before home video. The 2023 documentary has a much smaller footprint, appearing primarily in documentary and streaming contexts.
The title collision is not a coincidence of phrasing. "Killed Hitler" and "Bigfoot" are high-salience words that guarantee attention. Search engines and viewers both conflate the two, which is why a single query returns results for both films.
The Comparison Table
| Feature | The Man Who Killed Hitler and Then the Bigfoot (2018) | The Man Who Killed Hitler and Then Bigfoot (2023) |
|---|---|---|
| Type | Scripted fiction feature | Documentary |
| Director | Robert D. Krzykowski | David G. Baker |
| Lead | Sam Elliott | The documentary's subject |
| Runtime | About 98 minutes | About 80 minutes |
| Bigfoot role | Pathogen-carrying animal to be contained | Subject of a claim |
| Tone | Melancholy character drama | Investigative profile |
| Release | Festival 2018; wider 2019 | 2023 |
Edge Cases and Misreadings
A common misread is that the 2018 film is a comedy. It has darkly absurd elements, but it plays its premise straight and somber. Viewers who expect a joke-fueled romp are the most likely to be disappointed.
Another edge case is the "then" versus "and then" wording. The 2018 film uses "and Then the Bigfoot." The 2023 film drops the "and." That two-word difference is the only reliable title-level separator, and even that fails on some streaming listings.
A third edge case is the claim that the 2018 film is based on a true story. It is not. The premise is fiction. The 2023 documentary involves a real person's claim, but a claim is not proof. Treat the documentary as a record of what someone says, not as verified history.
Counterintuitive caveat: the more "factual" of the two films, the documentary, is the one with the less reliable core claim. The fiction film is honest about being fiction. The documentary's subject is not held to the same standard by the title alone.
Red Flags to Watch For
Any listing that merges the two films into one title. Claims that the 2018 film is "based on a true story." Reviews that call either film a horror movie. Streaming pages that reuse the same poster for both. Any claim that the documentary proves its subject's story.
Practical Actions for Viewers
Step one: decide which film you want. If you want a drama, search "Sam Elliott Hitler Bigfoot." If you want a documentary, search "David G. Baker Bigfoot documentary." Step two: check the runtime. The 98-minute version is the 2018 drama; the 80-minute version is the 2023 documentary. Step three: check the director credit. Krzykowski means the 2018 film; Baker means the 2023 film.
Step four: read the release year on the streaming page before pressing play. Step five: if a review does not name the director or year, treat its verdict as unreliable for either film. Step six: for the documentary, separate the subject's claim from the film's evidence. The film can document a claim without validating it.
Limitations and What This Cannot Tell You
This explainer covers the identity, premise, and title confusion of the two films. It does not assess the truth of any historical claim about Hitler's death or the existence of Bigfoot. Those are separate questions outside the scope of a movie explainer.
Box office figures, current streaming availability, and exact cast lists change over time. This article omits those changing details rather than present dated numbers as current. For a specific viewing decision, check the distributor's current listing and confirm the year and director before watching.
The two films are distinct works with distinct aims. The 2018 drama asks what a life of killing costs a person. The 2023 documentary asks what a man claims about his own life. Neither film settles the other's questions.